Its great also to get some extra mileage from your old machines when you upgrade them. Max Output Level: Can't vouch for 7. Gigabit LAN helps with latency and stability. FXT can be finicky and take some work to get up and running - for some people it's a breeze, others have no end of trouble.
I would say I'm in between - had strange conflicts with various things over the years, which interrupted my happy workflow with the product - but here I am, still using it. FXT support seems to be hit or miss as well - lots of complaints about it in their forum, but I've always had prompt and helpful replies, so there you go. Incidentally I use it in conjunction with MaxiVista to bring my laptop into the studio zone - that way I can switch between extra screen space and the edit windows for the slaved FX and instruments with a single hotkey.
I have also used it in conjunction with Remote Desktop for a slaved desktop machine that has no screen, to access the FX wondows from a single interface Thanks for the info guys! I'll need 3 cards Cheers, Martin. Martin, I am surprised that none of your computers has built in Gigabit Lan. Even the P4 I bought four years ago has it. Also if you are going to use more than one slave computer, it is highly recommended to use an Ethernet switch Gigabit also of course.
The switches they make now are pretty easy to use all; I had to do was just plug the Cat6 cables in and power it up to get network communication going. Each of the slaves has to connect to the master, and daisy chaining doesn't work with FX Teleport. The Ethernet switch will enable network communication to and from each computer simultaneously and reduce latency so please be advised. I have four computers in my FX Teleport network. Things are running smoothly, but it did take a while to figure out the setup.
Make sure you turn off Firewalls, and disable unused network adapters especially wireless adapters when setting up the network. Now that I have a nice new QuadCore from Jim Roseberry I haven't had as much need to use teleported plugins, but the Powercore card only works on the one motherboard so that one gets the most use.
Good luck, Paul. If you've got spare firewire ports on the machines try using those for your networking. I don't use a firewire audio interface however, which may complicate things if you have. Stay logged in. Martin 1 8 Replies Related Threads. Cheers, Martin 7.
Samsung Evo, Samsung Pro. W7 x It flows the stream to the effect and processed signal back to the host machine. Then if you feel you're getting out of horsepower on the host machine, just start the other one s and teleport your FX with a single mouse click.
You may ask "what about latency and jitter while transmitting audio from one machine to another? Latency exists, but it's minimal. Our tests have shown a latency of to samples or even less with the audio card buffer set to samples.
This means you can play live on remote software instruments with a latency of less than samples or 6 to 9 ms - which is better than with some hardware synths. Also note that the latency is not variable and for your convenience it is displayed in the FX Teleport window. Therefore you end up with sample accurate synchronization between your host machine and teleported FX - just set the proper offset in samples or ticks depending on your sequencer to compensate for the latency and you're done.
Therefore our VST wrapper tests the system and finds the correct latency on the first launch - just the same way as it is done while installing an ASIO card.
While you work, the VST wrapper monitors and indicates the network performance - much like the familiar VST performance monitor. In case of network overload the red indicator will show up, meaning that some audio packets have been lost.
If this happens frequently, just click on the icon with 2 computers in the FX Teleport window, and latency will be re-adjusted.
Alternatively, you can right-click on the same icon and set latency to current peak value. The amount of CPU resources consumed when sending audio over a network will vary depending on your system configuration. Audio buffer size also affects the system performance. You work from a single host program on your main machine. The FX are totally integrated into the host - therefore you end up with one song file which contains all your plug-in settings, plug-in parameter automation, and mix integrating all the FX and Instruments.
Also instead of quite expensive dedicated hardware you use a relatively cheap LAN connection, allowing you to instantly switch between local host machine only and remote modes. It's easy as 1, 2, 3! Just make sure you have 2 or more machines running Windows networked via MBit LAN usually it is so if you can freely transfer files from one machine to the other.
Download FX Teleport installer and install it on all your machines. Your studio is ready to go! Launch your host application, choose the remote FX and Everything is in its place as if you launched it on a single machine: plug-in automation, the ability to save plug-in parameters in the song, and of course audio streams from all the plug-ins into the host machine.
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